CARLA BENGTSON
Artist Statement
These paintings have evolved their current forms within
a painterly eco-system that embraces natural and cultural influences, that confounds
abstract minimalistic tendencies with glimpses of sky and water, and that inititates
a dialogue between my experiences in nature and my experiences in the white
cubes that we call galleries and the flat rectangles that we call paintings.
Mine is the story of a frontal collision between the sterile, already exhausted
world of 80s abstraction and the overwhelming sensory stimulation of time spent
on my feet, at times on my back, and sometimes on my knees in places as near
at hand as the pavement in my driveway and as far away as ceiba trees in the
Amazonian basin. In these paintings I attempt to link sensory, immersive experience
with self-referential awareness. I seek openness along with criticality –
an invitation to wander in the “stuff” of painting, as one might
wander in the landscape, and a reminder that all is not contained within the
frame.
Education
1983 M.F.A., Yale University, New Haven, Connecticut
1979, 1980 Whitney Independent Study Program, Whitney Museum of American Art, New York, New York
1979 B.F.A., Tyler School of Art, Jenkintown, Pennsylvania
Selected Exhibitions
January 2008 Convergence, Solo exhibition, JayJay Gallery, Sacramento, CA
2006 Green, Sloan Miyasato/Michelle Bello Fine Art, San
Francisco. CA
13th Anniversary Exhibition, The Painting Center, New York, NY
2005 Latitude Zero Paintings, Solo exhibition, JayJay
Gallery, Sacramento, CA
New, JayJAy Gallery, Sacramento, California
Abstraction and Landscape, RKL Gallery, Brooklyn, NY
2003 Oregon Biennial 2003, Portland Art Museum, Portland,
OR
Carla Bengtson, Ovals, Solo exhibition, JayJay Gallery, Sacramento, CA
2002 Rupert Lydell/Carla Bengtson, Gallery W, Sacramento, CA
2001 Recent Work, Solo exhibition, 204 Gallery, Dickinson College, Carlisle, PA
2000 Ovali, Solo exhibition, Dante Allegheri Gallery, Florence, Italy
2000 - 2003 Abstraction: The Power of Memory, traveling exhibition to 15 museums, galleries and exhibition spaces in US
1999 Carla Bengtson, New Paintings, Solo exhibition,
Quartersaw Gallery, Portland, OR
Carla Bengtson, Solo exhibition, The Painting Center, New York, NY
ANA 28, Holter Museum of Art, Helena, MO
1998 Arts on the River, Savannah College of Art and Design Savannah, Georgia
1997 Carla Bengtson, New Paintings, Solo exhibition,
Quartersaw Gallery, Portland, OR
Carla Bengtson, Reflections, Solo exhibition, O'Connor Gallery, Dominican University,
River Forest, IL
Carla Bengtson, Reflections II, Solo Exhibition, The Salon, Maison Francais,
Assumption College, Worcester, MA
15th Annual Group Exhibition, Pleides Gallery, New York, NY
1996 Carla Bengtson, Painting from a Distance, Solo exhibition, The Painting Center, New York, NY
1995 Invitational Exhibition, Zilkha Gallery, Wesleyan
University, Middletown, CT
The Connecticut Open, Real Art Ways, Hartford, CT
Art for Artspace, Artspace, New Haven, CT
1994 Carla Bengtson, Recent Work, Solo exhibition, Smith
College, Hillyer Hall Gallery, Northampton, MA
Recent Work, Zilkha Gallery, Wesleyan University, Middletwon, CT
1993 Carla Bengtson, Paintings, Solo exhibition, The
Painting Center, New York, NY
Selected Academic Positions
1995-present Associate Professor of Art, Painting, Department of Art, University of Oregon, Eugene, OR
1994, 1995 Visiting Lecturer in Yale College, Yale University, New Haven, CT
1989-1994 Instructor, Department of Art, Connecticut College, New London, CT
1989-1994 Visiting Faculty, Graduate Liberal Studies Program, Wesleyan University, Middletwon, CT
1988, 1989 Instructor in Art, Department of Art, University
of Connecticut, Storrs, CT
Curatorial Experience
1995-1996 Head Curator, John Slade Ely House, Center for Contemporary Art, New Haven, CT, curated multiple solo and group exhibitions of work by contemporary artists from New England
2006 “Contemporary Artists from the Netherlands”
Co-Curated exhibition consisting of works on paper by 21 well-known and emerging
contemporary artists from the Netherlands, with Toon Verhoef, traveled to Hopkins
Center, Dartmouth College, in addition to the JSMA, UO
Selected Bibliography
2007 Cephalatus atratus, cover for Environmental Philosophy, Journal of the International Association for Environmental Philosophy, Fall 2007
2005 “Critic’s Pick”, Victoria Dalkey,
The Sacramento Bee, September 25, 2005
“Yesterday and tomorrow”, Saunthy Nicolson-Singh, The Sacramento
News and Review, September 8, 2005
2003 “Art of small things”, Bob Keefer, The
Register-Guard, July 13, 2003
“Oregon Biennial,” D.K. Row, The Oregonian, March 3, 2003
“2003 Oregon Biennial”, Exhibition Catalogue, Portland Art Museum
“Carla Bengtson and David Wetzl”, Debra Koppman, Artweek, March
2003
1999 ANA 28, Peter Plagens, catalogue essay, Holter Museum of Art
1997 “Prejudging the 15th Annual Juried Exhibition at Pleides Gallery”, Sean Simon, Artspeak Magazine, June/July 1997
1996 “How Funny is the Human Body?”, William Zimmer, The New York Times, January 28, 1996
1995 “RAW Talent, Raw Energy”, Patricia Rosoff,
Hartford Advocate, May 22, 1995
“New Haven Artists’ Show at John Slade Ely House”, Antiques
and the Arts Weekly, October 28, 1994
1994 “5 Galleries Show Their Best in Hartford”,
William Zimmer, The New York Times, May 18, 1986
Honors and Awards
2003 A&AA Yeon Faculty Research Award, University of Oregon, Eugene, OR
2001 Gunilla K. Finrow Faculty Research Award, University of Oregon, Eugene, OR
1998 Juror’s Award, 3rd National Juried Exhibition, Ceres Gallery, New York New York, Jacquelyn Serwer, Chief Curator, National Museum of Art, Smithsonian Institution, Juror
1997 Summer Research Award, University of Oregon, Eugene, Oregon
1996 New Faculty Award, University of Oregon, Eugene, Oregon
1994 National Endowment for the Arts Individual Grant to Artists, Regional Award, Connecticut